Send between 10-40 pages of your chapbook manuscript to submitATbluehourpressDOTcom and in the subject line of the e-mail please put in Caps Lock the following: Last name, First Name, and the Title of your project. Their example is: ASHBERRY JOHN SOME TREES
Include a small bio and a restricted version of your publication history. For further details please click the link below:
http://www.bluehourpress.com/
Good luck to all of you who submit and please drop in tomorrow for more Poetry Tips…
Thursday, May 7, 2009
Wednesday, May 6, 2009
Poems Found by Poet Hound
http://www.boxcarpoetry.com/019/bunting_rachel_002.html
Rachel Bunting’s “The Apiary”
http://www.coconutpoetry.org/clarkj1.html
Jackie Clark’s “The Never Ending Shredding Project”
Thanks for clicking in, please stop in tomorrow for more Open Submissions…
Rachel Bunting’s “The Apiary”
http://www.coconutpoetry.org/clarkj1.html
Jackie Clark’s “The Never Ending Shredding Project”
Thanks for clicking in, please stop in tomorrow for more Open Submissions…
Tuesday, May 5, 2009
Michael Kriesel's The Light of Fields
Michael Kriesel’s mini chapbook, The Light of Fields, courtesy of the Pocket Protector Series by Alternating Current is a mere $3.00 at Propaganda Press. I think it is interesting to note that this collection is a reprint originally published by Jump River Press, Inc. in 1982 when this author was 20 years old. What would you say to re-printing something you wrote 20 years ago? I think it would be an enlightening experience as to how you’ve changed as a writer since. This collection exposes fresh experiences of love and life throughout the pages and there are several poems I enjoyed in this collection and as always I will share them with you below:
Breaking Silences
For days
I have watched each cloud in the river
broken into speech against the rocks
I will break many silences
to tell you this.
Personally, I love the imagery of “each cloud in the river/broken into speech against the rocks” because it is unusual and imaginative. I also wonder what kind of silences are broken in the last stanza, an awkward first meeting or simply an interruption of quietness together?
Walking From Funerals
Unconsoled I see the light of fields
the bursting red dyings of leaves
clutch my hair and my feet
with the hands of small children
Unmoved I continue
although I have hands like their own
and veins swell as theirs do
Look back
and the fires are stars
We are not ours
but those we cannot hold
I am a universe alone
I like the way Mr. Kriesel uses leaves as comparisons to hands clutching him despite his feeling so alone after loss, the idea of anyone clutching him being unable to comfort him.
The Lean Tree
To wake
to snow’s still soul
easing the bent stems
from memory
Rising
to still limbs of pine
become white as the eyes of the blind
I trust to the green underneath
and abandon my tracks
to the snow.
If it were still winter, I would recommend reading this poem and comparing it to your own surroundings. It’s a beautiful poem in which you can feel the silence and picture the beauty of the landscape knowing that there is the promise of color and spring to come.
If you enjoyed this short sample please visit The Propaganda Press Catalog to snap up a copy of your own and remember that with any purchase through the catalog a bonus book is included from archives. Not only will you be supporting the small press but the poet as well since poets can set royalties through Alternating Current and I am always an advocate of poets getting paid for their work.
Thanks always for reading, please check in tomorrow for more Poems Found by Poet Hound…
Breaking Silences
For days
I have watched each cloud in the river
broken into speech against the rocks
I will break many silences
to tell you this.
Personally, I love the imagery of “each cloud in the river/broken into speech against the rocks” because it is unusual and imaginative. I also wonder what kind of silences are broken in the last stanza, an awkward first meeting or simply an interruption of quietness together?
Walking From Funerals
Unconsoled I see the light of fields
the bursting red dyings of leaves
clutch my hair and my feet
with the hands of small children
Unmoved I continue
although I have hands like their own
and veins swell as theirs do
Look back
and the fires are stars
We are not ours
but those we cannot hold
I am a universe alone
I like the way Mr. Kriesel uses leaves as comparisons to hands clutching him despite his feeling so alone after loss, the idea of anyone clutching him being unable to comfort him.
The Lean Tree
To wake
to snow’s still soul
easing the bent stems
from memory
Rising
to still limbs of pine
become white as the eyes of the blind
I trust to the green underneath
and abandon my tracks
to the snow.
If it were still winter, I would recommend reading this poem and comparing it to your own surroundings. It’s a beautiful poem in which you can feel the silence and picture the beauty of the landscape knowing that there is the promise of color and spring to come.
If you enjoyed this short sample please visit The Propaganda Press Catalog to snap up a copy of your own and remember that with any purchase through the catalog a bonus book is included from archives. Not only will you be supporting the small press but the poet as well since poets can set royalties through Alternating Current and I am always an advocate of poets getting paid for their work.
Thanks always for reading, please check in tomorrow for more Poems Found by Poet Hound…
Monday, May 4, 2009
Blogging Along Tobacco Road
If you love reading interviews as much as I do, you’ll be overjoyed to read the weekly interview features by following the blog link below and you’ll find some familiar names from this blog (such as M. Kei). Check it out at:
http://tobaccoroadpoet.blogspot.com/
Thanks for clicking in, please drop by tomorrow for another featured poet…
http://tobaccoroadpoet.blogspot.com/
Thanks for clicking in, please drop by tomorrow for another featured poet…
Friday, May 1, 2009
Poetry Tips: Support in Hard Times
Support poets and small presses!
The reasons, I think, should be obvious. If you enjoy reading poetry you should be willing to part with at least a small portion of your hard earned money to buy and read a journal or chapbook. Also, if you are a poet trying to get published you should invest in at least one subscription to a journal or small press publication of some kind. Times may be tough but the editors and presses are working harder now than ever because grants are disappearing, donations are slowing down, and new subscribers are probably growing scarce. I’m a huge advocate for poets getting paid for their work and there are presses out there who pay their poets. There are presses who have low prices and great quality combined so that even if they can’t pay their poets, the readers are sure to be proud that they spent their money on such a fine chapbook or journal while the poets are proud to be part of the press or journal.
Any of the presses on the sidebar are worth your money, and there are countless more out there not included. For those of you who would like to add a press to the sidebar, by all means, post a link or two in the comments section so I can add it for other potential readers to find it.
On a personal note, money is so tight right now that I can’t remember the last time I went to the movie theater, let alone a “nice restaurant” in comparison to fast food, but I am still willing to subscribe to a journal and buy a poetry book because I have personally connected to the press and the poets. I suggest you do the same for the ones you feel connected to. We’re all in this together, and together we’ll pull through.
Thanks for dropping in, please stop by Monday for another featured site…
The reasons, I think, should be obvious. If you enjoy reading poetry you should be willing to part with at least a small portion of your hard earned money to buy and read a journal or chapbook. Also, if you are a poet trying to get published you should invest in at least one subscription to a journal or small press publication of some kind. Times may be tough but the editors and presses are working harder now than ever because grants are disappearing, donations are slowing down, and new subscribers are probably growing scarce. I’m a huge advocate for poets getting paid for their work and there are presses out there who pay their poets. There are presses who have low prices and great quality combined so that even if they can’t pay their poets, the readers are sure to be proud that they spent their money on such a fine chapbook or journal while the poets are proud to be part of the press or journal.
Any of the presses on the sidebar are worth your money, and there are countless more out there not included. For those of you who would like to add a press to the sidebar, by all means, post a link or two in the comments section so I can add it for other potential readers to find it.
On a personal note, money is so tight right now that I can’t remember the last time I went to the movie theater, let alone a “nice restaurant” in comparison to fast food, but I am still willing to subscribe to a journal and buy a poetry book because I have personally connected to the press and the poets. I suggest you do the same for the ones you feel connected to. We’re all in this together, and together we’ll pull through.
Thanks for dropping in, please stop by Monday for another featured site…
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